Hasan Minhaj’s new Netflix special “Off With His Head” signals that he is done with cancel culture, but hasn’t flipped into ...

You’re reading The New Yorker’s daily newsletter, a guide to our top stories, featuring exclusive insights from our writers and editors. Sign up to receive it in your in-box. The thirty-one ...

As “imminent” famine looms, Israel’s legislature has voted to ban the main U.N. relief agency for Palestinians.

For years, Democrats have sought to win elections by micro-targeting communities with detailed facts. What if the secret is ...

It took less than twenty-four hours after Trump’s reëlection for young men to take up a slogan that could define the coming ...

The fifteen-dollar minimum wage, a core progressive issue, won ballot measures in red states. Why have Democrats stopped ...

Gold, a celebrated Shakespeare director, designed his theatre production for a young audience. “It’s loud. I’m willing to hear the complaints, because I have risk tolerance,” he said ...

Trump has always drawn ideas from the darker corners of the Internet, but his new opponent has found a different kind of traction by embracing the Web’s native formats. A new Japanese-designed d ...

A new film from Richard Linklater pokes fun at our collective obsession with the archetype. The classic midlife crisis, with its flashy sports cars and covert affairs, has become a cliché in itself.

“All you have to do is figure out what it is that he talks about in self-defense and poke him,” says the co-founder of the Lincoln Project.

How the President’s protracted refusal to step aside as the Democratic nominee has imperilled his policy achievements—and the country. The former executive editor discusses his relationship ...

In her commercials, Kamala Harris walks a line between illuminating the issues and acknowledging the world-historic craziness of her opponent; Donald Trump targets his base. In projects like ...